故事背景受30年来新西兰街头黑帮的真实故事的启发，讲述萨维奇在丹尼从一个男孩成长为一个帮派的暴力执行者的过程中，经历了生命中的三个反抗时刻。

故事背景受30年来新西兰街头黑帮的真实故事的启发，讲述萨维奇在丹尼从一个男孩成长为一个帮派的暴力执行者的过程中，经历了生命中的三个反抗时刻。

电影发生在19世纪末。古吉列尔莫·马萨亚枢机主教在埃塞俄比亚度过了20年，将人们转变为天主教信徒。他回到意大利，试图得到皮埃蒙特政府的帮助。加富尔伯爵虽然赞赏红衣主教在非洲的事迹，但不能批准他的内阁支持红衣主教的计划。信仰神圣天国的传教士自己回到非洲。红衣主教，被人们称为Abuna Messias，成为国王梅内利克的朋友。国王的支持是传播他的话并完成他的使命的基础。科普特教会负责人阿布纳·阿塔纳西奥尽其所能阻止马萨伊达到目标，并让他从埃塞俄比亚流亡。梅内利克拒绝帮助阿布纳·阿塔纳西奥，他决定对皇帝发表讲话，从而点燃了皇帝与他的臣民梅内利克之间的战争。为了结束这场战争，红衣主教决定离开非洲，但仍然命定了一位年轻的埃塞俄比亚牧师继续他的使命。（英文原文来自IMDb网友manutwo）

电影发生在19世纪末。古吉列尔莫·马萨亚枢机主教在埃塞俄比亚度过了20年，将人们转变为天主教信徒。他回到意大利，试图得到皮埃蒙特政府的帮助。加富尔伯爵虽然赞赏红衣主教在非洲的事迹，但不能批准他的内阁支持红衣主教的计划。信仰神圣天国的传教士自己回到非洲。红衣主教，被人们称为Abuna Messias，成为国王梅内利克的朋友。国王的支持是传播他的话并完成他的使命的基础。科普特教会负责人阿布纳·阿塔纳西奥尽其所能阻止马萨伊达到目标，并让他从埃塞俄比亚流亡。梅内利克拒绝帮助阿布纳·阿塔纳西奥，他决定对皇帝发表讲话，从而点燃了皇帝与他的臣民梅内利克之间的战争。为了结束这场战争，红衣主教决定离开非洲，但仍然命定了一位年轻的埃塞俄比亚牧师继续他的使命。（英文原文来自IMDb网友manutwo）

wenika是女孩工作和生活在唐人街的妓院。

wenika是女孩工作和生活在唐人街的妓院。

According to the "Aristokratische Enzyklopädie" one of the most important characteristics of the communist people it is that they like to do things as a "community" (as it happens with the screenplay of "Dom Na Trubnoy" written by 5 reputed scriptwriters!). When it comes to their fondness to share property and prosperity, at the first opportunity those rules are betrayed without any remorse…as is depicted in this film. When a tough, zaftig Russian girl, named Paranja, goes to Moscow, with her only companion a goose (those interesting animals that can be transformed in "foie gras") searching for her uncle Fiodor she ultimately becomes a servant of a barber and his idle wife. Due to such a strange Bolshevik situation, very soon Paranja becomes class-conscious. 　　"Dom Na Trubnoy" (The House On Trubnay) was directed by Herr Boris Barnet - a not very well-known Russian film director. This presents another Bolshevik contradiction according to that aristocratic encyclopaedia because this great director has a likeness for… comedies! 　　Boris Barnet's films are excellent shows of superb timing and thrilling editing (this film it is an excellent display of incredible camera movements and various techniques, including, for example, elegant travel shots, long and foreground shots of the chaotic scenery around the Trubnay house). The picture is made of comic stories based mostly on daily situations with touches of bitterness (making it a kind of Communist social reality satire). That's not to mention the political content but this last subject is always perfectly incorporated into the storyline, without stridencies and as an extra factor that enriches the story. 　　Due to those Boris Barnet's film characteristics, it made of him a bizarre "rara avis" in Russian silent film; these comic films are a special surprise for the silent fans, communists or not. And now, if you'll allow me, I must temporarily take my leave because this German Count must be careful with the possibility of the awareness of the class-consciousness of the servants.

According to the "Aristokratische Enzyklopädie" one of the most important characteristics of the communist people it is that they like to do things as a "community" (as it happens with the screenplay of "Dom Na Trubnoy" written by 5 reputed scriptwriters!). When it comes to their fondness to share property and prosperity, at the first opportunity those rules are betrayed without any remorse…as is depicted in this film. When a tough, zaftig Russian girl, named Paranja, goes to Moscow, with her only companion a goose (those interesting animals that can be transformed in "foie gras") searching for her uncle Fiodor she ultimately becomes a servant of a barber and his idle wife. Due to such a strange Bolshevik situation, very soon Paranja becomes class-conscious. 　　"Dom Na Trubnoy" (The House On Trubnay) was directed by Herr Boris Barnet - a not very well-known Russian film director. This presents another Bolshevik contradiction according to that aristocratic encyclopaedia because this great director has a likeness for… comedies! 　　Boris Barnet's films are excellent shows of superb timing and thrilling editing (this film it is an excellent display of incredible camera movements and various techniques, including, for example, elegant travel shots, long and foreground shots of the chaotic scenery around the Trubnay house). The picture is made of comic stories based mostly on daily situations with touches of bitterness (making it a kind of Communist social reality satire). That's not to mention the political content but this last subject is always perfectly incorporated into the storyline, without stridencies and as an extra factor that enriches the story. 　　Due to those Boris Barnet's film characteristics, it made of him a bizarre "rara avis" in Russian silent film; these comic films are a special surprise for the silent fans, communists or not. And now, if you'll allow me, I must temporarily take my leave because this German Count must be careful with the possibility of the awareness of the class-consciousness of the servants.